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![]() ![]() ![]() Even now, when American viewers coming to the film for the first time might be inclined to sympathize with a story about two people who self-quarantine to save themselves from their country’s suicidal ideology, it can be easy to miss the forest for the trees and mistake Ōshima’s transgressive 1976 masterpiece for something tawdry or even sinister. The first time you watch Ōshima Nagisa’s “In the Realm of the Senses,” it might seem like more of a horror movie than a love story.
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